![]() She congratulated de Wilde for her work, and de Wilde told her she was “obsessed” with her show.īenton may not have chosen to wear a Gilded Age bustle, but Franklin Leonard did - two of them, actually. “A beautiful home doesn’t mean a beautiful life.”Īt that moment, a real “Gilded Age” character walked in - actress Denée Benton, who stars in HBO’s series of the same name. ![]() “I wanted to show how messy people’s lives are,” she said. “That woman has probably just lost the house with her gambling,” she said, pointing to a clearly distressed woman mannequin next to an overturned cards table. Inside the exhibit, meanwhile, director Autumn de Wilde (“Emma”) was showing her own work in the period rooms to a few friends. “Yes!” he encouraged her, and off she went. “I’d better go see that now,” said actor and producer-director Mindy Kaling, who’d been chatting with Ford. “My 9-year-old kid was watching a lot of ‘Mulan,’” he quipped, when asked his inspiration. Ford decided to stage a real conflict, involving weapons like fencing foils. Ford, assigned a room housing a grand, circular painting of Versailles and its gardens, chose to dramatize the story of the Battle of Versailles - a famous night for American fashion in 1973, when American sportswear designers showed up their French couture counterparts. “It was really fun,” said Tom Ford, not only a top fashion designer but one of those nine directors. It was, said some of the directors, a chance to engage in a different kind of storytelling. Usually, guests eschew the exhibit for the cocktails, but there was a decent flow of people in and out of the show, for which nine film directors were tapped to create cinematic vignettes. After greeting Wintour and her celebrity hosts (Blake Lively and Ryan Reynolds, Lin-Manuel Miranda and Regina King) guests wandered through the Arms and Armor galleries toward the American Wing and the huge Charles Engelhard Court, where cocktails were served and where curators built a bridge to access the exhibit in the period rooms. (Museum officials said this year for the first time, the centerpiece will remain in place another day, for public view).Īs guests entered from the red carpet, with crowds screaming outside, they passed a 12-piece chamber orchestra that played American classics like “At Last” until dinner. Another 150,000 roses bathed every inch of the Great Hall staircase - a striking backdrop for the hosts’ receiving line.Īlso striking: The giant centerpiece, this year the tallest it’s ever been - a 50-foot, golden creation representing the torch in the hand of Lady Liberty. The outside steps to the Metropolitan Museum of Art were lined with 50,000, with another 75,000 surrounding the lobby centerpiece. The question is whether there were any pink roses left in the city after Monday’s gala. A group of top film directors including King, Sofia Coppola, Martin Scorsese and last year’s Oscar winner Chloé Zhao will be a key part of the exhibit launching the gala.Certainly New York florists were back, if they hadn’t been already. ![]() Hollywood will have a strong presence during the event - and not only on the red carpet. Tom Ford, Adam Mosseri and Anna Wintour will continue their roles as honorary co-chairs for the second event. The first part opened in September along with the first pared-down “mini-gala” as the Costume Institute struggled with pandemic restrictions. It celebrates “In America: An Anthology of Fashion,” the second part of a major two-part exhibition at the museum exploring the roots of American fashion. The 2022 Met Gala, hosted on May 2, is the second star-studded gala in 12 months after the annual fundraiser for the Metropolitan Museum of Art's Costume Institute was split during the pandemic. Regina King, Blake Lively, Ryan Reynolds and Lin-Manuel Miranda will serve as co-chairs of the Met Gala, returning to its traditional date on the first Monday in May.
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